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PRS MT 15 V2 Amp

Sale priceRp16,000,000.00

Lunchbox Hero – Now with Lead Channel Overdrive Control

“We knew we wanted a low-wattage amp. The challenge was getting a lot of tone and features in a little box. We’re all blown away with how it turned out. It’s going to be great for someone to take it out of the box, set everything to noon, and have it sound great.”
– Mark Tremonti

The MT 15 is a commanding two channel amp with balanced aggression and articulation. The MT 15 punches above its weight class with a large, bold sound, so you can dig in heavy with rhythms but also get singing lead tones out of one amp. Whether recording, practicing, writing, or playing a small room, this amp has everything you need.

The MT 15’s design started with heavier players in mind, but in the end, it has a lot to offer players of all genres. Like the PRS Archon amplifier, the MT 15 features five gain stages before the Master for full, lush distortion. The lead channel gets big, chunky tone with massive, tight low end, but it never loses its articulate note definition or great lead tone. The Lead channel also features a push/pull overdrive control that removes two gain stages to produce vintage, crunchier “mid gain” tones. The clean channel is bright and chimey, good with chords and fingerstyle playing – whether with a pick or not. The clean channel also features a push/pull boost control that adds a little overdrive for old school crunch. No matter what tone you dial in, the MT 15 stays balanced across the spectrum with a sweet, smooth tone that won’t bite your head off.

Additional features include an effects loop and bias adjusters that are accessible from the back panel for ease of servicing. Despite its 15 watts, the MT 15 sounds more like 50, so a half power switch that takes the MT to 7 watts is a welcome addition. Bottom line, the amount of features, the hugeness of the sound, and the raw horsepower of the circuit make the MT 15 an impressive lunchbox hero.

The MT 15 is Mark Tremonti’s first signature amplifier.

 

SPECIFICATIONS

 

 

GENERAL
Available Configurations Head
Channels Lead & Clean
ELECTRONICS
Wattage 15/7 (Switchable)
TUBES
Power Tubes (2) TAD 6L6GCM-STR
Preamp Tubes (6) 12AX7 / ECC83
FRONT PANEL CONTROLS
Lead Channel Treble (with pull overdrive), Middle, Bass, Master Volume, Gain
Clean Channel Volume, Treble (with pull boost), Middle, Bass
Global Controls Presence
BACK PANEL FEATURES
Inlet Fused Power Inlet (IEC)
Effects Loop Series, Tube Driven
Extension Speaker Jacks 3
Ohm Switching (2) 8 ohm parallel, (1) 16 ohm
Bias Adjustable with Monitoring Jacks
HARDWARE
Cabinet Material / Construction Black Metal Construction
MEASUREMENTS
Amp Width 14" (35.56 cm)
Amp Depth 9" (22.86 cm)
Amp Height 10" (25.4 cm) (including feet)
Amp Weight 17.8 lbs (8.07 kg)
INCLUDED ACCESSORIES
Included Accessories 1-Button Footswitch (Channel Gain/Clean), Amp Cover
PREAMP TUBE POSITIONS & FUNCTIONS
V1 Input
V2 Clean
V3 Lead
V4 Lead
V5 Loop
V6 Phase Inverter

 

 

PRE-AMP SECTION

LEAD & CLEAN CHANNELS
Clean Channel Volume
The volume control increases the amp's loudness as you turn it up.
Clean Channel Pull Boost
The clean channel features a push/pull boost control that adds a touch of gain, fullness, and harmonics.
Lead Channel Pull Overdrive
The lead channel features a push/pull overdrive control that removes two gain stages to produce vintage, crunchier "mid gain" tones.
T/M/B Tone Stack
This amp has a 3-band EQ for each channel.

POWER-AMP SECTION

Presence (Global Control)
The presence control manipulates the negative feedback in the amp. Turning the presence control up releases more high-mid and treble, bringing the amp's tone forward. Presence can change gain/texture and loudness of high-end, making your tone wilder and more 3D (or more "present").
Lead Channel Master Volume
The lead channel Master Volume control increases the amp's loudness as you turn it up. Use this in conjunction with the Gain knob, which dials in the amount of massive potential distortion you want. Used together, these two controls can help you create a warm, lush distortion at surprisingly high or low volumes.

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